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ShantaBhakti

Vrindavani Sarang

Noon sun on the Yamuna, a flute answers from the grove

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Musical Anatomy

Thaat

Kafi

Jati

Audav

Time

Afternoon

Vadi

Re

Samvadi

Pa

Nature

Devotional, serene, midday

Arohana (Ascent)

Sa Re Ma Pa Ni Ṡa▲

Avarohana (Descent)

Ṡa▲ Ni Pa Ma Re Sa

Pakad (Characteristic Phrase)

Re Ma Pa Ni Sa, Ni Pa Ma Re Sa

Notation guide

Vadi (Re)Samvadi (Pa)Komal ♭Tivra ♯AbsentSaShuddha — naturalsaKomal — flatMa*Tivra — sharp▲Taar saptak▼Mandra saptak

Notable Compositions

info

Raga attributions for film songs, ghazals, and semi-classical pieces are often disputed. Composers may draw from a raga without strictly adhering to it. Treat these as approximate — we show a confidence indicator on each entry.

movie
Madhuban Mein RadhikaFilm

"Madhuban mein radhika naache re"

personS.D. BurmanmovieKohinoor (1960)
movie
Aaj Ki Raat Mere Dil Ki SalamiFilm

"Aaj ki raat mere dil ki salami le le"

personMadan MohanmovieAap Ki Parchhaiyan (1964)
temple_hindu
Raas LeelaBhajan

"Vrindavan mein raas rachayo, Nanda ke laal"

personTraditional
music_note
Bansuri Baaje ReBandish

"Bansuri baaje re Brindavan mein"

timerTeentaal

Vrindavani Sarang · 4 compositions

Vrindavani Sarang is associated with Vrindavan, the sacred grove of Krishna. It has a devotional, meditative quality.

Legend & Lore

Vrindavani Sarang takes its name from Vrindavan — the sacred forest on the banks of the Yamuna in Braj where Krishna is said to have played his flute in the languid heat of midday, drawing gopis and animals alike with its hypnotic call.

The raga belongs to the large Sarang family and carries the full weight of Vaishnava bhakti devotion, connecting every unfolding phrase to that pastoral world of divine play (lila).

Musically, Vrindavani Sarang is anchored by Re (Rishabh) as its vadi and Pa (Pancham) as samvadi, with the omission of Ga and Dha creating a pentatonic spaciousness that feels both meditative and luminous — like the midday sky over an open field.

Pandit Bhimsen Joshi's recordings of this raga are celebrated for their sun-drenched expansiveness, and Ustad Amir Khan brought to it a quality of concentrated stillness.

Thumri compositions addressed directly to Krishna — 'Bansi baaje re Vrindavan mein' — are among its most performed forms, making it a raga where theology and melody become inseparable.

Knowledge Deep-Dive

Test Your Knowledge

1. Which two swaras are omitted in Vrindavani Sarang, giving it its characteristic pentatonic openness?

2. Vrindavani Sarang is associated with which time of day and which primary rasa?

3. The name 'Vrindavani' refers specifically to which location sacred in Krishna's mythology?

Discover More Songs in Vrindavani Sarang

Discover More Songs in Vrindavani Sarang

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Many Hindi film songs blend multiple raags across their mukhda and antara. When searching, you may discover songs primarily in other raags that share Vrindavani Sarang's emotional palette — that's intentional cross-raag composition by the music director.

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